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PIANOSCORE  BlOG

altering triads

3/3/2018

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ALTERING TRIADS BLOG CARD
. . . for easy pdf version
OBJECTIVES: 
  • PLAY INTERVALS (4-NOTE CHORDS) INSTEAD OF TRIADS
  • ​PLAY THE ROOT IN THE BASS
  • PLAY THE 7TH WITH THE THUMB
  • SPREAD THE NOTES OUT 

​Chords in hymns are mostly major or minor triads with some inversions to make the parts easier to sing. As a pianist, knowing and playing simple triads is not enough. To play rich, interesting chords consider altered chords. In the example below we move from a I chord to a triad with an added sixth interval. This would be a C6 or I6 (not to be confused with a first inversion).  It is a C6 because we play the C triad (C,E,G or I, iii, V) and add the vi of the scale. But the chord is all scrunched up. 
Picture
​We can un-scrunch it and play a vi7 chord by rearranging the order of notes, playing the A as the root of the chord in the bass, and G as the 7th in the middle with the left thumb. The C and E are played in the right hand.  The chord becomes Am7 which is the vi chord in the scale as shown on the roadmap. 
Picture

It is the spacing or voicing of the notes that make the Am7 chord distinct. Again, the root of the chord (A) is played in the bass and the 7th (G) is played in the middle with the left thumb. This is a pattern you can use in the future for all 7th's. As a rule of THUMB, play the 7th with the THUMB.

​
ROADMAP OF THE C SCALE- You can see that we went from a I chord to a vi chord, but because we added the 7th, the new chord is called a vi7 or Am7.
Picture
In review, the highlights are:
  • Play intervals instead of triads.
  • Play the root in the bass.
  • As a rule of thumb, play the 7th with the thumb.
  • Spread the notes out.

You can print the PDF worksheet card for this lesson by clicking the button here: 
ALTERING TRIADS worksheet
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  • Home
  • PianoScore Blog
  • Playbook of Arrangements
  • Lessons in Harmony
    • Language of Harmony- Intro >
      • Assignment
    • Primary Triads Part 1
    • Primary Triads Part 2
    • Examples of Primary Chord Progressions >
      • Review Assignment
    • Secondary Triads
    • ii-V-I Progression >
      • Review Secondary Triads/ ii-V-I Progression
    • Introduction to 7th Chords
    • The Diminished 7th Chords
    • Chord Shells LH Voicing
    • Three Note Voicing Formulas
    • I7 ii7 iii7 Progression
    • I7 ii7 iii7 Progression- Part Two
    • ii7 V7 I7 Progression
  • My Recordings
  • Contact