Piano Score
  • Home
  • PianoScore Blog
  • Playbook of Arrangements
  • Lessons in Harmony
    • Language of Harmony- Intro >
      • Assignment
    • Primary Triads Part 1
    • Primary Triads Part 2
    • Examples of Primary Chord Progressions >
      • Review Assignment
    • Secondary Triads
    • ii-V-I Progression >
      • Review Secondary Triads/ ii-V-I Progression
    • Introduction to 7th Chords
    • The Diminished 7th Chords
    • Chord Shells LH Voicing
    • Three Note Voicing Formulas
    • I7 ii7 iii7 Progression
    • I7 ii7 iii7 Progression- Part Two
    • ii7 V7 I7 Progression
  • My Recordings
  • Contact
LESSON ONE- PRIMARY TRIADS AND PROGRESSIONS                                                PART TWO
Print Review
The root relationship of the IV and V are perfect 5ths from the I (Tonic). The dominant is a 5th above the tonic and the subdominant is a fifth below the tonic.  These three provide structure in building progressions.
Picture
  • ​​Basic opening progressions are  I-V, I-IV, or   I-IV-V.​
  • Basic closing progressions are:  V-I, IV-I, and IV-V-I. Progressions of harmonic phrases are completed or closed by returning to the tonic.​
Picture
Picture
Picture
Go on to Examples of Progressions
Powered by Create your own unique website with customizable templates.
  • Home
  • PianoScore Blog
  • Playbook of Arrangements
  • Lessons in Harmony
    • Language of Harmony- Intro >
      • Assignment
    • Primary Triads Part 1
    • Primary Triads Part 2
    • Examples of Primary Chord Progressions >
      • Review Assignment
    • Secondary Triads
    • ii-V-I Progression >
      • Review Secondary Triads/ ii-V-I Progression
    • Introduction to 7th Chords
    • The Diminished 7th Chords
    • Chord Shells LH Voicing
    • Three Note Voicing Formulas
    • I7 ii7 iii7 Progression
    • I7 ii7 iii7 Progression- Part Two
    • ii7 V7 I7 Progression
  • My Recordings
  • Contact